2020s
Luca Guadagnino and a stellar cast turn out a sweaty mess of psychosexual mania.
It isn't altogether better than its predecessor, but Denis Villeneuve's sequel delivers a solid, and much needed, blockbuster.
24 songs to help us remember that nobody does it better than the goldeneyed thunderballin' man with a license to kill.
Michael Mann's "biopic" has its flaws, but it's a perfect example of how to seize the moment.
Humanity conquers the ring in this modern Shakespearean tragedy.
Emma Stone's vehicle offers invaluable insight in a kooky, sex-crazed package.
It's not awful, but just because you can does NOT mean you should.
Thomasin McKenzie shines in a movie that comes so close but ends up too far away.
Another misleading trailer takes us down a disappointing, misguided path.
Emerald Fennell strikes gold in this ludicrous psycho-drama... she just doesn't find as much as she thinks.
In a dark time for movies, Alexander Payne gives us an unconventional dose of Christmas cheer.
Ridley Scott's antiquated take on one of history's great generals sinks a promising movie.
I volunteer as tribute... to never see this movie again.
In this overlong French flick, we learn why refusing to commit is the death of art.
It's not awful, and Brie Larson shines, but "The Marvels" is going to be tough to rebound from.
Gareth Edwards' ambitious AI commentary is a solid but unfocused think-piece.
Scorsese's self-indulgence takes his magnum opus and sinks it to just another good movie.
In this cheap aim at "representation," we learn it's time to take one giant leap for gaykind.
In Christopher Nolan's sprawling biopic, the father of the atomic bomb finally finds cinematic resolution.
It picks up as it goes along, but unlike its humor, Barbie's social commentary never quite rises to the occasion.
Hollywood's biggest franchise gets ranked, from quiptastic worst to charming, heartwarming best.
It's a merciful conclusion for the iconic hero, but it's not one we ever needed to see.
Jennifer Lawrence finds her niche in this touching, if potentially problematic, comedy.
A promising premise yields disappointing results in this confused, aimless horror-comedy.
Disney sees dollar signs, we see another cheap, uninspired cash-grab.
The MCU sends off our favorite team with a dark, overlong festival of crap.
Kelly Fremon Craig gives Judy Blume's classic novel a touching adaptation.
Director Stephen Williams fails to create a compelling tale of the forgotten composer.
Mario's return to the big screen is the equivalent of hoarding coins and never buying a star.
Nearly half a century after the game's initial release, D&D finally has a worthy movie.
Ben Affleck struggles to return to his Argo heyday with another sluggish misfire.
My decisions were in no way influenced by my love for oily, jean-clad men... or thick Irish accents... or Rihanna.
Brendan Fraser shines, but The Whale fails to send a message worth hearing.
It could use a bigger bite, but Sarah Polley's Best Picture nominee does more than simply ask questions.
The long-awaited sequel is a feast for the eyes, but beyond that, it's skin and bones.
A storied career finds a fitting conclusion... even though he'll make movies till he dies.
Mark Mylod returns to the big screen with a refreshing social satire - even if it's bark is bigger than its bite.
The story of Emmett Till gets an unworthy retelling in this melodramatic historical drama.
Shuri proves a compelling replacement, but "Wakanda Forever" proves a poorly-executed, though oddly enjoyable, sequel.
It sure is brutal, but no amount of death can mask the lack of meaning in this limp adaptation of the iconic novel.
Story and studio clash in this misguided aim at cinematic feminism.
If nothing else, B.J. Novak's debut shows just how hard it is to make a good movie.
Jordan Peele falls victim to his own success in this intriguing but ultimately disappointing horror flick.
Luhrmann brings his signature glitz and glam - it's heart "Elvis" lacks.
The MCU continues its slow decline with another uninspired entry into Thor's canon.
Scott Derrickson's passion project is infinitely more than it appears.
The iconic toy's origin story is a cheap, uninspired cash grab.
Whose ever breath gets taken away by this battle cannot sue for damages.
Tom Cruise flies high in a welcome dose of supersonic nostalgia.
A24 rehashes familiar territory to socially damaging results.
Mahershala Ali shines in the latest edition to Hollywood's love for ethical science fiction.
What went wrong in one of the century's most promising comedies?
The Daniels feast on the multiverse. Sadly, their pants are too small.
Robert Eggers breathes new life into a tried and true tale, but the results satisfy as often as they disappoint.
Disney wastes a golden opportunity in this inventive but disappointing period piece.
This quirky kid road trip dramedy is more "C'mon, hold up, wait a sec, I'll be right back"
Maggie Gyllenhaal scratches the surface, but a drama this assured needs to do more than that.
It's New York! It's music! It's the THEATER! It's... awful.
Paul Thomas Anderson is mostly style, but he finds substance in this ode to the printed page.
Rebecca Ferguson's directorial debut flounders in the face of its topical subject matter.
The case for remakes takes another hit in Guillermo del Toro's middling reworking of the 1947 classic.
It sure does fly, but "The Batman" is more posing than poetry.
The Man in Black hijacks a worthy story in this middling sports drama.
It throws the kitchen sink, but like any mess, Drive My Car lacks substance.
Where does Oppenheimer's epic ambition fall... other than Japan?
Against all odds, Spielberg's re-imagining is a genuinely good movie.
Bucking cliche is the name of the game in this touching family drama.
Who knew a repressed gay rancher would make for such a dull protagonist?
Paul Thomas Anderson's ode to predation and Hollywood's troubling affair with illegal age gaps.
Simon Rex wields a mighty saber in this strawberry slice of backwoods heaven.
In the great battle of David vs. Denis, visuals are the trump card.
Adam McKay finds his footing by stomping on American stupidity.
Ridley Scott and his white superstars prove the quest for gender equality has a long way to go.