The third film remains the best Potter film - and a gold standard for fantasy filmmaking.

"Interstellar" sucked then, sucks now, and will always suck... but in the best possible way.

Daniel Craig's debut remains the franchise's best - and most important - installment.

Michael Cimino's 1978 Best Picture winner occasionally misses the mark, but it's reflection on Vietnam is still worth our time.

It won: GET OVER IT!

It occasionally prioritizes style over substance, but Sam Mendes' acclaimed passion project is a cinematic marvel.

Robert Zemeckis' '90s juggernaut is a feast of boomer bullshit.

Oliver Stone's notorious bomb is even worse two decades down the line.

It's far from perfect, but Ben Affleck's 2012 Best Picture winner is still an admirable historical thriller.

Michael Moore exploits America's most famous school shooting in this misguided monument to egotism.

If you don't read this review, I'll gut you like a fish.

Yes. Yes it is.

Sorry, Elaine, but I'll take this romance over "Sack Lunch" any day.

Before lightsabers and death stars, George Lucas asked a simple question: where were you in '62?

Robert Redford's controversial Best Picture winner is more important now than ever.

Bernardo Bertolucci's lavish lament on China's last monarch deserves a place in cinema's pantheon.

It was a gamble making a man out of a monster, but a great movie happened because of it.

James Cameron's magnum opus has never let go of its place in our hearts - thank God for that.

The Studio's masterpiece is a touching portrait of a parent's love.

Dances with Wolves is a flawed epic, but it's far more than an excuse to look at Kevin Costner.

You need this movie like you need an arrow through your Achilles' tendon, but in... a good way?

It has, perhaps, aged poorly, but Woody Allen's iconic romantic comedy still has quite a lot to offer.

Barry Jenkins' modern masterpiece offers profound insight on race, sexuality, addiction, and how inescapable life's obstacles can feel.

Hollywood's most popular movie is problematic - that doesn't make it worth forgetting.

Style trumps substance in this confused depiction of the founding of Facebook.

Spielberg does not fully commit to the horror, but Schindler's List remains the preeminent depiction of humanity's darkest hour.

American Beauty never knew us as well as it thought it did, but that's (mostly) okay.